My first music computer was an Apple II+ that had a whopping 48k of RAM and ran Dr T Music software. With loads of UAD audio interfaces and UAD DSP hardware
#REAPER GLACEVERB MAC#
I would have a super mac with as much ram as possible Then cubase is the one that wins at the moĪs Apple simply has made using their exclusive programs too expensive If i have to make a choice one over the other However, as a writer / engineer / producer Protools, when known, is faster and easier to use than the others. However, as much as i loved Logic Pro, I stopped using it, as I simply couldn't afford to keep up with having to buy new computer hardware every year or so.Īs a music composer / producer, I prefer Logic and Cubase, as the environments to write music, as they are much easier to use (with MIDI) than some of the others.Īs an engineer, I prefer to use Protools, due the precision that the program deals with digital audio. Now years after graduating I still use several of the apps. Where i was taught to use Digidesign (now Avid) protools, and emagic (now Apple) Logic. Later on, I went to uni to do a degree in sound engineering / sound tech at a famous UK performing art school. That allowed me much easier configurations for setting up MIDI devices.īut also I transferred to steinberg cubase, still on the mac. Using hard ware synthesizers and hardware samplers with MIDI interfaces (and daisy chaining the various devices through my simple 1 in 1 out midi interface).Īs time went on, i expanded my home studio to include a more sophisticated MOTU 8 in 8 out MIDI interface,
#REAPER GLACEVERB SOFTWARE#
Many of the software programs were MIDI Sequencer based.ĭuring these years, I first used a MOTU program called Freestyle which was a MIDI sequencer on a MAC Performa 630. When i first started using computer music software, it was before DAW were accessible to the "normal" people. Sorry I didn't see this until today, but I just sent you a PM. Then you need to find someone to actually pay you do do it. The technical end of that alone is probably years of learning to get right. Compared to them I'm just an average Joe out there supporting the home studio market. Enough money invested in sound libraries to buy a new car. Those guys have master computers , some running VEPro and 7 slaves. A guy with a small home studio in his house if you compare me to a mixing engineer who makes sound for picture.
#REAPER GLACEVERB FULL#
I have 4- 2tb hard drives full of samples libraries in my computer and another one waiting to be installed. Not to mention some high end plugins.oh and a pile of real instruments plus. As someone with a bunch of sound libraries and a bunch of DAWs. I have written very few lyrics but seem to have no problems coming up with a tuneĮverything is relative here. That was so long ago that I'm certain there is no longer much similarity to recent versions.įunny you should say that John because I feel that way about people who won't work with someone who only plays music.
I did load up Baib a long time ago and demoed it.
So far I always seem to get into something else and never do it. I have though about maybe giving them a try. They seem to have different levels or quality of paks they sell. I have read good things about Band-In-A Box and have heard some very good songs made with it. I use scanscore to scan in any music that I already have (printed out long ago from Musescore/other notation software, from my own stockpiles, or from friends) in order to then upload to Musescore and work on notating it.
It's a scanning tool (that, although it has it's limitations, is better than some others). Similar to MikeRobinson, one of the tools I use (in addition to MuseScore) isn't a DAW either. (I have financially supported the project since then, and I'm glad to have done so.) (Yes, I still feel that way.) I had found everything that I was looking for, supported by an extremely active open-source development community, and "it's just a bonus" that I didn't have to spend money to get it. I stopped . because I did not feel the need to look further. Well, I started with MuseScore, because it was free, and. When I first discovered MuseScore, I had "money burning a hole in my pocket" and I was prepared to invest in a full-blown version of Sibelius,® Finale,® Notation,® or "what-ev-er pap- pa picked." (Yes, my music often starts out as sheet music.) FYI – one tool that i use very heavily isn't a DAW: it's a music scoring program called MuseScore.
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